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Black-and-white work made outdoors—landscapes that hold still, wildlife that doesn’t, and action sports that refuse to. Until the real frames are up, this is the promise.

The Peaks of Mt. Oberlin

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Rainy days have a way of making the couch and a warm drink feel like the only sensible choice, yet the landscapes that wait outside refuse to perform for anyone who stays in. In monochrome the water turns the world into pure tone and texture—dark woods, reflective roads, soft edges where light usually shouts. Those are the frames that only exist when you step into the weather instead of waiting it out.